Owl House, The

Tagged: TV

US animated tv series (2020-current). Disney Television Animation. Creator and Executive Producer Dana Terrace. Directors include Aminder Dhaliwal, Stu Livingston and Stephen Sandoval. Writers include Charley Feldman, Zach Marcus, Molly Ostertag, John Bailey Owen, Dana Terrace and Rachel Vine. Voice cast includes Alex Hirsch, Wendie Malick, Sarah-Nicole Robles, Isabella Rossellini and Mae Whitman. Nineteen 22-minute episodes and five shorts. Colour.

Worried by Luz Noceda's (Robles) disruptive nature – such as bringing snakes to a school book report – her mother ("I love your creativity, but ...") sends her to Reality Check Summer Camp (motto: "think inside the box"). However, distracted at the bus stop, Luz chases a bag-carrying owl into another Dimension. The owl steals items for Eda the Owl Lady's (Malick) "Human Collectables" market stall; Eda calls herself the "most powerful witch on the Boiling Isles" (which are the continent-sized corpse of a Titan) and explains that all human myths (see Mythology) are leakages from that world ("Griffins, Vampires, Giraffes"). She takes Luz home to The Owl House, introducing her to its annoying guardian Hooty (Hirsch, sounding remarkably like a certain Mouse) and King (Hirsch), self-proclaimed "King of Demons", the bane of whose life is being told how adorable he is. For he is. Luz decides to stay and learn to be a witch.

Luz nonetheless concedes "this is clearly not the PG fantasy world I dreamed about": though some of the population are human-like, others have a just-about child-friendly Hieronymus Bosch appearance. There are many other Horror elements: the Magic School's Principal appears to be wearing a face mask, but it's a small imp whose mouth engulfs the top of his head (see Parasitism and Symbiosis); the Bat Queen (Rossellini) is a giant winged head. Meanwhile, Eda is cursed, `turning into a giant owl-like Monster without medication (parallels to serious illness are implied: "if you take the right steps, it's manageable"). Eda – "sassy, surprisingly foxy for her age" – is an outlaw, The Emperor – who claims to be instructed by the Titan – having forced witches to join covens, with their Magic limited. The series has two threads: the main one concerns the Emperor's desire to acquire Eda's access to the human realm. The second is Luz's relationship with fellow pupil Amity Blight (Whitman), initially an antagonist, who develops a crush on Luz: when asked to join her sports team she exclaims, "me, on a team with you, running around with cute uniforms ... sweating!", and flees red-faced. "Well, I guess she's out" responds Luz, obliviously yet accurately.

There is Satire of Fantasy and its tropes: a wizard tells Luz she is a Chosen One, giving her a map, magic staff and an enchanted quest (see Clichés) – but her Perceptions were being manipulated by a puppeteer demon. Luz joins the Magic School, befriends some of its pupils and meets the school's Human Appreciation Society ("where are your gills?"), though she is briefly banned, to Eda's approval: "Ah! baby's first wanted poster." There are also magic Libraries; Identity Exchanges; magic mimicking social media (cell phones, selfies) and crystal balls behaving like laptops (see Internet).

Season one ends with Eda freed from the Emperor's clutches, but without magic. The Emperor, utilizing Technology, is building a portal to our world – reasons unknown, but for nothing so "boorish" as Invasion. The first Disney show with LGBT main characters (the creator has stated that Luz is bisexual and Amity lesbian), this is a strong new series – funny and inventive, with endearing characters – whose message – that imagination, individuality and weirdness are positive attributes – is not subtly presented, but is a healthy one. [SP]

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