Ford, John M

Tagged: Author

(1957-2006) US author, author of some children's fiction under an unrevealed pseudonym, and of some work as by Milo Dennison (a House Name despite the use of Ford's own middle name) and as by Michael J Dodge. He began publishing sf under his own name with "This, Too, We Reconcile" for Analog in May 1976. His Alternities Corporation sequence appeared in magazines 1979-1981. His first novel, Web of Angels (1980), can be seen in retrospect as a quite remarkable rendering of the basic venues exploited by Cyberpunk some years later, though its traditional rite-of-passage plot bears little resemblance to the quest-for-Nirvana structure given definitive form by William Gibson in Neuromancer (1984). Beyond that basic distinction in dynamic thrust, however, and beyond Ford's failure (or disinclination) to make use of film-noir icons and the hegemony of corporate Japan, the eponymous communication/data web much resembles Cyberspace, though intergalactic in scope; the cowboy hacker protagonist hired out to a merchant prince is also familiar, as are the Web's automatic defence systems – Geisthounds – which hunt him remorselessly.

Ford's second novel, The Princes of the Air (1982), is a florid Space Opera whose detail is more enthralling than its span. The Dragon Waiting: A Masque of History (1983) is an Alternate-History fantasy set in an unChristianized (and dragonless) medieval Europe; it won the 1984 World Fantasy Awards. The Final Reflection (1984), Star Trek: Voyage to Adventure (1984) as by Michael J Dodge and How Much for Just the Planet? (1987) are Star Trek Ties, the last of which is audaciously cast in the mode of musical comedy. The Scholars of Night (1988) is an associational Technothriller featuring both advanced Communications and historical puzzles in the manner of espionage author Anthony Price (1928-    ). Casting Fortune (coll 1989), Fantasy set in the Liavek Shared-World enterprise, contains in "The Illusionist" a book-length tale of theatrical Magic. Fugue State (in Under the Wheel, anth 1987, ed Elizabeth Mitchell; rev 1990 dos) is a complex sf exploration of an imprisoned psyche. Ford's short fiction, like his novels, was exceedingly various in its use of generic tools and formal structures; it is perhaps best approached through his last collection, Heat of Fusion and Other Stories (coll 2004), which also contains notable verse.

Growing up Weightless (1993) – which tied for the 1994 Philip K Dick Award with Jack Womack's Elvissey (1993) – depicts life on the Moon in terms that seem realistic, for the human settlement there lives under strait conditions, and has a difficult relationship with Earth; but the rite of passage into adulthood at the tale's centre is not innovative. From around this time, the ill-health which had long plagued him began to slow Ford's output considerably, though not its quality: The Last Hot Time (2000) – a fantasy though it gestures towards a Parallel World sf explanation – is an Urban Fantasy [see The Encyclopedia of Fantasy under links below] set in an increasingly dislocated Chicago; in its refusal to resolve the discords opened through the complexities of the tales being told, it strikes a contemporary note. Ford was not a major sf writer, though he was one whose work constantly teased readers into dangerous realms; he is perhaps better remembered as a fantasy author; as a man he was quirky, humane, funny, widely loved. It is to be regretted that his biological family, disapproving of his genre work, is where possible suppressing any reprints. His true family was Fandom. [JC]

see also: GURPS; Poetry; Rhysling Award; Star Trek Games; Timescape Books.

John Milo Ford

born East Chicago, Indiana: 10 April 1957

died Minneapolis, Minnesota: 24/25 September 2006 [Ford died alone around midnight]

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Star Trek

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Most poetry-only titles – including several privately printed chapbooks circulated as Christmas card substitutes – are not listed.

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