(1955- ) US editor, journalist and author who began publishing work of genre interest with "I Was a Teenage Genetic Engineer" as by Denise Angela Shawl in Semiotext(e) SF (anth 1989) edited by Rudy Rucker, Peter Lamborn Wilson and Robert Anton Wilson. She has focused throughout her career on short forms of fiction, a fair conspectus of her work being assembled as Filter House: Short Fiction (coll 2008), which includes her first story and which won a James Tiptree Jr Award, and Something More and More (coll 2011). Everfair (2016) her first novel, is an Alternate History Utopia in which an industrial revolution more benevolent than that which occurred in real history is instigated in the nineteenth century Congo through the establishment of a clement enclave by the Fabian Society; the long story itself is told through a sophisticatedly-deployed symphony of different voices.
Shawl is perhaps of greatest importance to sf for her nonfiction work. Writing the Other: A Practical Approach (coll 2005) with Cynthia Ward is an acute and sometimes barbed set of essays on the creation of fictions which deal with live issues and discourses (see Feminism; Imperialism; Race in SF; Women in SF; Women SF Writers) in the context of a literary environment like sf (see SF Megatext) that as the twenty-first century began was increasingly perceivable as sexist and sclerotic. An Anthology, The Wiscon Chronicles, Vol 5: Writing and Racial Identity (anth 2011), usefully supplements this work. Stories for Chip: A Tribute to Samuel R Delany (anth 2015) with Bill Campbell effectively and warmly honours the work and example of Samuel R Delany, as does the powerful Strange Matings: Science Fiction, Feminism, African American Voices, and Octavia E Butler (anth 2013) with Rebecca J Holden in the case of Octavia E Butler. Her editorial and cognitive presence has contributed significantly to the ongoing rewriting of the field of play in contemporary Fantastika, for the better. [JC]
Denise Angela Shawl
born Kalamazoo, Michigan: 1955
works as editor
nonfiction works as editor
Previous versions of this entry