Working name of British artist Timothy Thomas Anthony White (1952- ). After artistic training at the Medway College of Design, White worked in advertising for two years before receiving assignments to paint book covers for New English Library and Science Fiction Monthly. His early paintings were often dominated by large, meticulously detailed Spaceships, though he could also depict other sorts of strange structures, like the open building with multiple spires on the cover of a 1975 edition of A E van Vogt's The Darkness on Diamondia (1972) or the green cube with pyramids on each face hovering in space on the cover of a 1974 edition of E C Tubb's Galaxy of the Lost (1973 as by Gregory Kern). His covers featuring human figures were less successful, though he did display a flair for painting Monsters, like the dinosaur-like creature on the cover of a 1976 edition of Robert A Heinlein's Glory Road (1962) or the metallic crab on the cover of a 1980 edition of Bruce Sterling's Involution Ocean (1977). Other distinctive monsters appeared on the covers of a 1981 edition of Frank Herbert's collection The Priests of Psi (coll 1980) and of a 1988 edition of August Derleth's anthology Tales of the Cthulhu Mythos (1969). At times, he would place bizarre structures and animals within lush landscapes, as on the covers of a 1986 edition of Bob Shaw's One Million Tomorrows (1970) and a 1986 edition of Piers Anthony's Anthonology (1985), and his paintings could be further distinguished by their unusual perspectives.
White has been celebrated as a representative of a new school of super-realists that began shaping British sf art in the mid-1970s, though Chris Foss and Jim Burns were equally influential, and there is a case for calling him the finest technician in this tradition, as his use of very fine detail imbues his paintings with a luminous clarity sometimes reminiscent of René Magritte (1898-1967) or (rather differently) of Andrew Wyeth (1917- ). Between 1981 and 1986, he was nominated six consecutive times for the British Science Fiction Association Award for Best Artist, receiving the honour in 1983. While he continued working in the 1990s, though, the results generally seemed less inspired, and he has been relatively inactive since the year 2000. To date, he has published four compilations of his artwork, listed below, along with Mouches (graph 1983), a comic story about three flies, told without words. [PN/JG/DRL/GW]
Timothy Thomas Anthony White
born Erith, Kent: 4 April 1952
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