Working name of US author Radell Faraday Nelson (1931- ), who also writes as R F Nelson and R Faraday Nelson, sex books as M R N Elson, and once under the House Name Jeffrey Lord. He has been active in both sf and detective genres, beginning to publish sf with "Turn off the Sky" in The Magazine of Fantasy and Science Fiction, August 1963. His short story "Eight O'Clock in the Morning" (November 1963 F&SF) was the basis for the film They Live (1988). He worked as a gag-writer for cartoonist Grant Canfield, and for a time collaborated with Michael Moorcock in smuggling Henry Miller books from France into the UK; Moorcock was caught, Nelson forced to cease. Nelson holds a secure place in the hearts of sf Fandom (he used to be a fan artist) for having invented the propeller beanie which in fan cartooning was traditionally emblematic of the sf fan.
Nelson's first sf novel was The Ganymede Takeover (1967) with Philip K Dick, a tale in which Dickian preoccupations are somewhat dampened by implausibly foregrounded action sequences involving wormlike Aliens. His second, Blake's Progress (1975; rev vt Timequest 1985), accords the poet/painter William Blake (1757-1827) the capacity to Time-Travel, along with his wife Kate; she is by far the better painter of the two, though her husband signs her works. History is altered, the novel being in part an Alternate-History story. In its full revised form it is a highly energetic vision of the poet, and Nelson's best work. Then Beggars Could Ride (1976) and its sequel, The Revolt of the Unemployables (1978), depict an ecological Utopia of small, self-contained but interacting units, in which a protagonist tries to sort himself out. Only one volume of the projected Timebinder sequence has appeared, The Prometheus Man: A Nrobook (1982), in which a rigid and therefore Dystopian meritocracy has transformed America into a land of employables (not numerous) and the Uns, or unemployables (the great majority). The plot revolves around a marriage broken by the system as well as an assortment of gurus, tycoons and revolutionaries; it does not fully resolve. Similar in tone is Virtual Zen (1996), whose protagonist reacts to the suicide of his composer father through a "zen" revolt against the Dystopia America has become. Though sometimes over-easily applied, Nelson's Iconoclasm is all the more welcome for its surprising rarity in the sf field. [JC]
see also: Invasion; Philip K Dick Award; Transportation.
Radell Faraday Nelson
born Schenectady, New York: 3 October 1931
- The Ganymede Takeover (New York: Ace Books, 1967) as Ray Nelson, with Philip K Dick [pb/Jack Gaughan]
- Blake's Progress (Toronto, Ontario: Laser Books, 1975) as R F Nelson [pb/Kelly Freas]
- Timequest (New York: Tor, 1985) [rev vt of the above: pb/Don Brautigam]
- The Ecolog (Toronto, Ontario: Laser Books, 1977) as R Faraday Nelson [pb/Kelly Freas]
- Dimension of Horror (Los Angeles, California: Pinnacle Books, 1979) as Jeffrey Lord [tie to the Richard Blade series: #30: pb/John Alvin]
- The Prometheus Man: A Nrobook (Virginia Beach, Virginia: The Donning Company/Starblaze Editions, 1982) [pb/George Barr]
- Virtual Zen (New York: AvoNova, 1996) [pb/Sean Beavers]
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